Transformational Intimacy

Love. Lust. Liberation — photo options

Your photos, and the other strong options.

Every photo on the page now comes from your own collections — the Ojai workshop set, the Austin event set and the files you shared with us. For each spot, here is what's on the page and the runners-up. Answer the photo questions on the review hub, or just tell us "swap the hero to B".

1 · The hero photo

The first photo people see.

Option A, on the page now: a couple laughing face to face during practice.
A · On the pageA couple mid-practice, laughing — warm and alive.
Option B: a couple seated close, smiling at each other.
BQuieter and more tender.
Option C: a couple dancing close at the Austin event.
CThe Austin event — more charged, moodier light.
Option D: a line of couples in an embrace practice.
DThe whole room in an embrace practice.

2 · Sarah's photo

Sarah, in the guides section.

Option A, on the page now: Sarah smiling with a microphone in the workshop room.
A · On the pageFrom the Ojai workshop — smiling, mid-teaching.
Option B: Sarah teaching at the front of the room.
BTeaching the room.
Option C: Sarah guiding the room, hand raised.
CMid-guidance, more movement.

If Sarah has a preferred current portrait, send it over and it goes straight in.

3 · Travis's photo

Travis, in the guides section.

Option A, on the page now: Travis smiling outdoors.
A · On the pageYour 2026 headshot.
Option B: Travis applauding in a black-and-white room shot.
BIn the room, black and white.
Option C: Travis's second 2026 headshot.
CThe other 2026 headshot.

4 · Leading together

Sarah and Travis, in the room.

Option A, on the page now: Sarah and Travis seated side by side leading the room.
A · On the pageBoth of you, leading from the front.
Option B: Sarah and Travis side by side against the wall.
BSide by side against the wall.
Option C: Sarah and Travis seated in front of the room, wider view.
CThe wider view of the same moment.

5 · "Why you're here"

The story photo beside the opening words.

Option A, on the page now: a woman in practice, head back and hand on her chest.
A · On the pageLetting the feeling move — colour.
Option B: the same practice moment in black and white.
BThe same moment, black and white.
Option C: two participants standing face to face in stillness.
CFace to face, charged stillness.

6 · "The work"

The guided-practice photo.

Option A, on the page now: Sarah guiding the room, a participant's hand raised.
A · On the pageGuidance mid-practice, hand raised.
Option B: Sarah guiding a seated group.
BCloser in on the guidance.
Option C: Sarah standing among seated participants.
CIn among the room.

7 · The grounded side & the alive side

One photo for each side of the practice.

Grounded option A, on the page now: a man standing steady, attention on his partner.
A · Grounded, on the pageSteady attention.
Grounded option B: a steady pair in black and white.
B · GroundedBlack and white, quieter.
Alive option A, on the page now: a woman mid-practice, expressive and lit up.
A · Alive, on the pageLit up, mid-movement.
Alive option B: a woman with arms raised in practice.
B · AliveArms raised, fuller motion.

8 · "By Sunday afternoon"

The photo beside the six practices.

Option A, on the page now: pairs seated in guided practice across the room.
A · On the pagePairs in practice, close.
Option B: a pair practicing on chairs.
BOne pair, chairs.
Option C: pairs seated in practice with greenery in the foreground.
CPairs through the greenery.

9 · "Coming together"

The couples-card photo.

Option A, on the page now: a couple holding each other close during a kneeling practice.
A · On the pageKneeling embrace, warm light.
Option B: a line of couples in an embrace practice.
BThe whole room embracing.
Option C: a couple laughing in each other's arms at the Austin event.
CAustin — joyful, stage light.

10 · "Coming alone"

The solo-card photo.

Option A, on the page now: a man seated in guided practice on his own, leaders behind.
A · On the pageGuided on his own, eyes closed.
Option B: the same participant from a wider angle.
BThe same moment, wider.
Option C: a person speaking in the room, hand on chest, black and white.
CSpeaking and being heard, black and white.

11 · Also strong, not placed yet

One more worth knowing about.

Sarah guiding a seated group of participants.
SpareSarah guiding a small group — could replace the closing photo.
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